Bergen county chapter of american recorder society

National Flute Association U. San Francisco California, U. What is monophony, polyphony, homophony, monody etc.? When did modal music give way to the modern key system? The History of Musical Instrument Pitch. The Crwth by Catheleijne Berck. Woodwind Instrument Pitch through the Ages by Dr. Brian Blood. Tempi in Baroque Music. The Story of a Trill - an online discussion about playing 'early music' - edited by Dr. Do Early Musical Interpretations Improve?

Dolmetsch Writings on the Viol. Is Music What We Are?

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Philosophy and Aesthetics - by Mary Devereaux. How To Listen To Music. Musicians and Injuries - an excellent source of practical information and useful on-line links. Music And Rhythm by Dr. Where are the Mozarts of today? Kenneth Lampl - and a response by Fernando Rivas. On Scale and Temperament. Understanding Temperament - by Pierre Lewis. The Physics of Musical Instruments. Music and Mathematics - a fascinating resource. On Playing the Bass Recorder by Dr. Darwin's Web Recorder Directory : provides rankings and reviews for websites concerning Recorder.

Tuning Recorder Consorts by Dr. The Recorder as Transposing Instrument? Stephen Smulski. Suzuki students who have completed the Twinkle Variations preschool—grade 12; parents or another www. Participants must arrange meals, housing and transportation. Teacher Training prerequisites: Every Child Can! Contact workshop regarding required audition and preparation.

Each day begins with a warm-up of voices and bodies as we sing rounds and ready our muscles for performance. Daytime sessions focus on rhythmic challenges, recorder technique and ensemble blend; emphasis is on growth, process and, most of all, enjoyment. To participate fully, you need at least intermediate skills on a C or F recorder. Adrianne Paffrath coached on recorder with ARS teachers.


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Patricia Badger has studied early music instruments, natural and classical trumpet. She is performing arts head of The Prairie School.

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Jointly, they have performed for Medieval festivals, grape stompings, Shakespeare celebrations and a circus parade. The lushly wooded campus offers airconditioned classrooms, dining and dorm accommodations, and is backed by a nature preserve. Please join us! Our featured faculty includes: Tish Berlin Tom Zajac Mary Springfels The Texas Toot offers a one-week program of classes in Renaissance and Baroque music at all levels, featuring expert instructors in recorder, viol, early reeds, lute, harp, and voice.

Danny Johnson, workshop director; Susan Richter, administrator. Louis, St. Sessions include recorder technique, pedagogy, introductions to Orff, Suzuki and Flutes and Drums Around the World methods, improvisation, roundtable discussions, how to conduct your consort, coached playing sessions for Medieval, Renaissance, Baroque, world and contemporary repertoire, recorder orchestra, incorporating percussion into your ensemble.

Also recorder maintenance, choosing a recorder, building a web site, using Sibelius music software. Mini-concerts by the next generation of professionals, master classes, concerts by Marion Verbruggen and the Farallon Recorder Quartet. Exhibition of recorder builders, music sellers and more. CEUs available. Advanced and intermediate players and singers choose from a wide array of classes, led by an outstanding faculty of professionals and teachers of early winds recorders, reeds, brass , strings viols, violin , harpsichord and voice.

Week II: all levels except beginner. Classes include recorder technique, viol consort, Baroque chamber music, consort classes for Medieval, Renaissance, Baroque and contemporary repertoire, workshop orchestra. Evening events include faculty concert, student concert, free-lance playing. Free Wednesday afternoon for more playing or sightseeing.

Early Music Web Pages of Interest

Improve your playing in a supportive, friendly atmosphere with world-class teachers. Adults of all ages welcome. Early Music Week continues its long tradition of superb teaching in a welcoming community, enhanced by special events, presentations, concerts—and dancing. Advanced musicians work intensively, amateurs are engaged and challenged, and beginners are always made welcome. If glare from bright light those avoiding overuse syndromes: marvelous outdoor rehearsals!

Winter 2015 - American Recorder Society

This means problem for you, you may find that a increasing your practice time gradually yellow tint for your glasses is a help. Take along a player can make an enormous differcushion, back rest, footstool, whatever ence in endurance. You can select a distress mostly preventable.


  • Classical Music: Princeton Recorder Society going strong.
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Do you have a favorite article A little aerobics, like running in place, takes very little time and gets rid of from years past in AR? Quick tutorial on massage: start stroking toward the body and in the direction of the flow of the veins —upstream from the sorest part; gradually work down to include the sore spot.

Your psyche may need some relief from overload, too. Most workshops are in surroundings that lend themselves to taking a walk, finding a place to meditate, taking in some beauty. In creating anything, a musical performance no less than more static art forms, breathing in is as necessary as breathing out; be sure you take time to do it.

Not to be forgotten: those parties! Above all, enjoy!

He is also artistic director of the world famous recorder ensemble, the Flanders Recorder Quartet, which is set to perform in concert at the Boston Early Music Festival. He is often asked to serve as a jury member for international recorder competitions in Canada, U. He has given numerous master classes and lecture demonstrations all over the world. Spanhove is co-author of the successful recorder method Easy Going Heinrichshofen and wrote the muchused book The Finishing Touch of Ensemble Playing Alamire, , and Moeck, , with translations in Chinese and German.

Currently, he is researching practice technique for the recorder. Daily, Spanhove thinks about how to make people happier by making music and playing the recorder. You get one point for each second! For every octave of the F major scale, you get one point. The other members of the group have to guess the name of the composer before the player can start the next piece. The list of questions goes on! No points were given if the quizmaster had to supply the answer.

On the next page you find some of my questions.

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There are more, which we hope to run in a future issue of American Recorder. The quiz was full of fun and suspense. By the end, people were more nervous than when playing a concert on stage. Jacob Lodico of the U. Try these questions yourself! Answers appear at the end of this article.

The Quiz 1. In which German city is the recorder company Moeck based? Bach calls for two alto recorders. Give another name for this cantata. List three leading Japanese composers of excellent solo pieces for the recorder. Give the names of recorder magazines published in Germany, England and the U.

What is the fundamental tone of a fourth flute? List two recorder makers from the Baroque period in England. Give the names of two famous publishers in business around —one in London and one in Amsterdam. The opus 10 work by Antonio Vivaldi includes six concerti. Some of them have beautiful names. Give the names of the first three concerti of this opus. The combination of recorder and traverso was rarely used in the Baroque time. Can you name any composers who used this combination? Which king from 16th-century England owned a large collection of recorders, and also composed and enjoyed daily recorder playing?

Name the author of the oldest recorder method. Who pretended around that the recorder was a kind of clarinet? What was his name? Bach composed a beautiful trio that includes a bass recorder. What are the other two instruments? Which excellent players performed as the recorder trio Sour Cream? A recorder normally has eight fingerholes. Explain why. Give the French name for vibrato performed by finger movements alone on a wind instrument. Hirose, M. Ishii and M. The Provincetown Bookshop, Inc. The most famous English recorder makers around Bressan and Stanesby the latter being both senior and junior 9.

O Schmerz! Walsh and Hare of London , Roger of Amsterdam Le Romain Loeillet, J. Quantz, J. Hotteterre or J. Henry VIII Five Syntagma Musicum Sebastian Virdung, Musica Getutscht und Ausgezogen Blindness Igor Stravinsky Marion Verbruggen Alto recorder and piano Japanese Viola and cembalo Before , the player could choose how to hold the recorder— left hand or right hand at the top.

This meant that recorder makers drilled two holes to accommodate the little finger of the hand that ended up at the bottom. The unused hole was sealed with beeswax. Flattement Samuel Pepys Celebratory concerts took place in many venues, including Carnegie Hall in New York. The soloist was another well-known conductor, Daniel Barenboim, who is no mean hand at the keyboard, to say the least. Birthdays, composers and recorder music catalogs recorder soloists should commission him!

His music sparkles and frolics, packing lots of musical events into engrossing structures. Much of his music is available on CD, so if you missed the celebrations, you can easily have your own belated birthday party for Carter. Although he has never written for recorder one of our prominent for fans of contemporary music. We note with sadness the passing on January 23 of another distinguished American composer, George Perle.

Another leading American composer, Leon Kirchner, is thankfully still with us, having turned 90 on January Like Perle, Kirchner has a highly personal and expressive style. Participating musicians included flutist Paula Robison, pianist Jeremy Denk and the Claremont Trio, with the composer present to discuss his music.

Quartet No. Speaking of contemporary music, I have been spending pleasant hours perusing the Catalog of Contemporary Blockflute Music, available online at www. This Netherlands foundation offers a contemporary recorder catalog and a catalog of historical recorder music. Access to both is by free membership. You can search by many parameters such as composer, title or specific instrumentation. What an easy and tremendously valuable way to find new music!

Is one superior to the other? Do you need a special recorder to use Renaissance fingering, and if so, can it be played with regular recorders? Is there a fingering chart that shows Renaissance fingering? Recorders, which often doubled singers at the octave or rendered vocal pieces instrumentally, were designed to make the individual melodic lines clearly audible. Most 16th-century consort recorders were one-piece instruments with large toneholes and a wide bore that contracted slightly starting near the upper fingerholes and then expanded gently near the lowest holes.

Such recorders had a useful range of only about an octave plus a sixth, which was, nevertheless, sufficient for the music of their day. Most Renaissance-style consort recorders made today are based loosely upon surviving 16th-century instruments of the above type and are designed to approximate the range, timbre and volume of those early instruments. They are three-piece instruments with small toneholes and a bore that is narrower and more tapering than a Renaissance bore, extending their useful range upward to two octaves plus a whole tone.

Baroque recorders are soft and sweet-sounding in their bottom octave, but louder and brighter in the second octave. Their lowest notes are especially weak because they must be blown gently to prevent overblowing into the second octave. Such instruments are suitable for Baroque solo and chamber repertoire, but not very satisfying for Renaissance polyphony. Due to their different timbre and volume, Renaissance recorders will not blend well with Baroque ones. Such instruments make Renaissance music easier to play in tune but will produce intonation problems if played with Baroque recorders, which are tuned in equal temperament.

For the above reasons, Renaissance and Baroque recorders should not be played together. First, in the lower octave, modern Baroque fingering works for most notes but is often too flat for the fourth scale degree e. Modern fingering is also usually too sharp for the lowered seventh degree e. The correct fingering for that note varies from one instrument to another. In the upper octave, modern fingering works for the first, third and fifth scale degrees e. Some notes require half-holing with a right-hand finger, and notes above the fifth scale degree may require addition of several fingers to bring them in tune.

Historical Renaissance fingering for the second scale degree e. Therefore, some makers substitute modern fingering for that note. For a most satisfying blend, Renaissance ensembles should purchase a matched set of recorders, tuned and voiced to be played together. Renaissance consort sets usually include two different alto recorders, one in G lowest note g' and one in F lowest note f '.

The ATTB combination with the G-alto is best for most of the quartet music composed between and , while the SATB combination with the F-alto is more practical for much late 16th-century repertoire. Playing the G-alto requires learning G-alto fingering, or else transposing the alto line down a whole tone and using F-alto fingering. Because of their special bore design cylindrical with a flaring bell , Ganassi recorders have a range of two octaves and a sixth, with cumbersome fingerings in the third octave. They are used mainly as solo instruments for playing intricate ornaments of the type found in Fontegara.

They have a bore that is wider than a Baroque bore but contracts sharply near the lower end, resulting in strong low notes and at least a full twooctave range, usually with modern fingering. However, wide-bore consort recorders with a range of at least two octaves and modern fingering should also be regarded as transitional instruments.

They differ somewhat in timbre and volume from typical Renaissance consort recorders. Handmade wide-bore recorders—consort, Ganassi and transitional—are obtainable from makers who advertise in American Recorder: the Prescott Workshop and the Von Huene Workshop in the U. Factory-produced wide-bore recorders from Kobliczek, Moeck and Mollenhauer are available from instrument dealers who advertise in AR. New and used recorders, including wide-bore models, from important makers in the U.

For further information, visit www. For a comprehensive database of recorder makers worldwide, see Nicholas S. Includes interactive fingering charts from modern makers and historical treatises. Brown, Adrian. Brown, Adrian and David Lasocki. Ganassi, Silvestro. Opera Intitulata Fontegara. Modern edition of the oldest known treatise devoted entirely to the recorder published in Includes 16th-century fingering charts.

Griscom, Richard and David Lasocki. An annotated bibliography including references on construction and design of historical recorders. Levin, Philip. Explains in simple terms the difference between Renaissance and Baroque recorders. Morgan, Fred. XXV, No. Myers, Herbert W. A 2nd edition is now available, published in by Indiana University Press. The Von Huene Workshop, Inc.

All repairs are done right on the premises, and most can be completed within a week. For warranty repairs, please include a copy of your original sales receipt. Virgin Classics Veritas, All recorder players should certainly have this! Award-winning CD, featuring five Vivaldi concerti, two sonatas. Medieval instrumental music played on a variety of instruments, including strings, recorders, and percussion.

Medieval dances and motets bring to life the rich world of ancient European music-making. Transcriptions of Buxtehude's Op. Fafarela, Fafarela Recordings. Celtic, Renaissance and Medieval melodies for recorder and flute with Celtic harp. Healing Muses, Healing Muses. Renaissance and Baroque music centers on fine singing. Vocal music of the church accompanied by Ensemble Caprice, plus sonatas and other instrumental pieces.

Trio sonata arrangement by Johann Christian Schickhardt. Music by Bassani, Corelli, Vivaldi, etc. Highlight Intl. Charming repertoire by Schwartzkopff, Bodino, Detri. Atma Classique. Early and contemporary chamber music— Bach, Telemann, Boismortier and others.

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Gypsy music taken from Uhrovska zbierka now Slovakia , plus Vivaldi. Stylish, high octane readings of some of Vivaldi's most beloved pieces, including the popular and raucous Concerto alla Rustica, stunningly colorful Sonata on La Follia, and four exuberant recorder concerti. You may fax a credit card order to You may order CDs online using PayPal at www. For this year, the group is somewhat loosely organized and plans to meet for extended sightreading. Repertoire at the first meeting comprised everything from Renaissance duets to chamber music involving three treble parts and continuo.

Among the five musicians attending the first meeting photo below, front row: Elizabeth Spang, Sue Groskreutz; back row: Suzanne Ferguson, Sibylle Baumgartner, Arlene Sowka , all played recorder, three harpsichord, and one each played traverso, violin and gamba.

Due to the scarcity of recorder players south of the Sarasota area, modern string players are also incorporated into this ensemble. In Ms. Rajoppi received the National eRecording All-Star Trailblazer Award for demonstrating leadership in the use of electronic recording technology. She is a six-time recipient of the National Association of Counties Award for innovative government and computerization, a recipient of the prestigious Gill C.

Membership is open to any woman 18 years or older who can prove lineal descent from an ancestor who aided in achieving American Independence.